
Now
It's Overhead, Statistics, The Title Ceremony
@Go! Studios, Room 4, Carrboro, NC
3/13/04
Entering
the trusty small Go venue, I became privy to the opening act The
Title Ceremony. The instrumental foursome from Wilmington busted
through an amazing set that comes close to rivaling the best in
instrumental music - e.g., Explosions in the Sky. I was expecting
little to nothing from these guys, especially since they were
a last minute addition to the bill after playing with Stats and
Now It's Overhead in Wilmington the night before. In addition,
I often want to slit my wrists to instrumental live music, but
the Title Ceremony dazzled. Though seemingly a young group these
guys have enormous potential - certainly check them out if possible.
Emerging
during the Title Ceremony's set was the tall and lanky Denver
Dalley with a host of equipment. Dalley was joined tonight by
the drummer of NIO, Clay Leverett, on bass because their bass
player had to head home. The Stats had a nice little array of
electronics underlying the three-piece - consistent with the sounds
on the latest record Leave Your Name. As I found with the Stats
show during the summer, Dalley is a quiet and unassuming frontman
with great guitar skills. Yet, there is a disconnect in vocals
between the recorded material and live performance. Specifically,
Dalley seems to be constrained and not ready to release the full
onslaught of vocal intensity. This observation may be enhanced
by Dalley's quiet and higher-pitched singing. When he is able
to translate the recorded experience live then it will be phenomenal.
With that said, the band powered through their all-star tracks
from Leave Your Name including "Hours Seemed Like Days,"
"Sing A Song" and "The Grass Is Always Greener."
Given that Desperarecidos are taking a longer than expected sabbatical
with Conor Oberst adventures in Bright Eyes, Dalley will have
more time on his hands to perfect his craft.
Headlining
tonight's show was Now It's Overhead from Athens, GA. Similar
to the Statistics being Denver Dalley's brainchild, NIO is to
varying degrees Andy LeMaster's baby. Sweetly, NIO had recorded
backup vocals of Orenda Fink and Maria Taylor of Azure Ray so
the tracks were as close to the recordings as possible - though
it would be awesome to see Fink and Taylor do them live. Having
never seen NIO before, I was immediately struck by now small and
fragile LeMaster appeared and yet he was a stunning frontman.
It is quite possible that NIO sounded better live than the recorded
songs from their masterpiece Fall Back Open. With the band holding
the fort and adding the marginal amount of electronic add-ons,
etc., LeMaster crooned and powered his guitar through the relatively
short set - a fact which annoyed a number of individuals. Though
familiar with the material off the first album, it seemed that
NIO stuck with material from the new album and made quite an impression
on the moderate size audience. I'm really compelled to see NIO
again where they can give a full-blown hour long performance.
If people knew who good these guys are - and SXSW will certainly
help - they would be huge. I think it is more than likely that
they could get picked up as openers on a major tour and total
blow the doors off - and you thought Saddle Creek couldn't get
even more popular.

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